The music video for the Futureheads version was filmed at a public park in Los Angeles at night. 89 on its list "150 Best Tracks of the Past 15 Years".
8 on the UK charts in its first week and was named Best Single of 2005 by NME. "Hounds of Love" was covered by English post-punk band the Futureheads for their self-titled debut album and was released as a single in February 2005. "Alternative Hounds of Love" is not a remix, but an early version, with slightly different lyrics. It was inspired by Alfred Hitchcock's thriller film The 39 Steps (1935) and a Hitchcock lookalike also features in the video (a nod to the director's famous cameo appearances in his movies).Īll songs written and composed by Kate Bush, except "The Handsome Cabin Boy", which is a traditional composition. Faroese singer Eivør also covered the song in 2010 on her album Larva.Ī music video was made for the song, which Bush herself directed. The song was performed live for the first time as part of the 2014 Before the Dawn residency, in which the lyrics were slightly altered.Įnglish post-punk band the Futureheads covered the song in 2005, scoring a UK Top 10 hit with it. 21 in its list of the 50 greatest British songs of all time. In October 2004, Q magazine placed this song at No. The words "it's in the trees, it's coming!" heard at the beginning of the track are sampled from the British 1957 horror film Night of the Demon and are mouthed by an actor from the film, Reginald Beckwith, who plays a medium channelling a character played by Maurice Denham, who provides the voice. The versions worldwide differ slightly: the US single mix included an additional chorus just after the second chorus.
#HOUNDS OF LOVE NUDE MOVIE#
It is a movie well worth watching because it manages to be optimistic even when researching the lowest hollow of a human nature.The song is about being afraid to fall in love in the song this feeling is compared to being chased by a pack of hounds. Every act of violance is there for a reason and the movie without it would not get the same effect out of the scenes. How she manages to portray the most nuanced character of the story is extraordinary and worth pointing out.
The acting of the main cast is absolutely brilliant, especially Emma Booth's. On one hand there is a mother, who chooses to leave her husband, but still wants to stay in touch with her daughter and on the other hand, there is a mother who 'does not yet deserve to be a mother and must first prove it that she can be one.' The movie manages to show the incompatibility between the purest form of love and evilness in it's most twisted way. This movie is about mother's love and care for their children. Another important character is Vicki's mum, who does not get as much screen time as the other three, but just enough to add another aspect of tension - tension that only mother's unconditional love can provide. One is a not-give-up fighter who is trapped with a manipulative psychopath and a confused life-scarred individual. There are 4 key characters that generate the story. From that point on, story develops many drama elements (gore scenes aside). On her way, a car starts driving next to her. Vicki sneakes out of her mum's house and goes to a party. Next, there is the sequence, which kidnapping movies evidently can't live without. While dining with her mum, Vicki angrily admits that she resents her leaving her family and she mentions, that she is going to a party. Vicki is a teenage girl, who is not coping well with the divorce of her parents. What at first seems to be a boring conventional kidnapping thriller with a teenage girl, who disobeys her mother and gets in trouble just because of that, soon becomes a quite good psychological play between the main three characters.
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